Rangga Purbaya (born 1976) is a visual artist interested in the history and discourse of 1965 political genocide in Indonesia. Rangga completed his studies in Photography Department at Indonesia Institute of the Arts (ISI) Yogyakarta. His works integrate various mediums, such as photography, text, mixed media, video, installation and performance art. Having an interest in socio-political issues, Rangga adopted artistic investigative methods to explore personal history, remapping memories and identities in an effort to trace the consequences of the tragedy.
In 2002, he founded Ruang MES 56, an artists' collective focused on the development of photography and contemporary art. Additionally, he joined 1965 Setiap Hari, a transnational research and broadcast collective working with social media in Indonesia.
Rangga has held several solo exhibitions, including Tahun-Tahun Yang Berbahaya/Dangerous Years, Ruang MES 56, Yogyakarta (2024), To The Lost One, Ruang Mes 56, Yogyakarta (2017), and Stories Left Untold, Fête de l' Humanité, Paris (2016). Meanwhile, several other exhibitions include Testimony of The Soil, York College Galleries, Pennsylvania (2024), Crossing Ecotone, Sonobudoyo Museum, Yogyakarta (2023), Manifesto, National Gallery of Indonesia, Jakarta (2022), Iwaya Community Art Biennial, Lagos (2021), and Light On The Move, Asia Culture Center, Gwangju (2019). He is also actively involved in several discussion panels and public lectures.
The Dangerous Years: The Nameless Faces - The Faceless Names
What if, at the end of our search for the truth, at the foot of a rainbow, we discovered that we had all woken up from a long sleep back in 1964 when Sukarno delivered his fiery speech, The Year of Vivere Pericoloso? Could we have prevented the One-October Movement from happening? Would the six Generals not have lost their lives in vain? Would life have gone on as before? Would we be happy forever?
No one can answer that because, of course, it's just a guess. A tragedy has happened, and no one can change it. Seventy-five thousand, five hundred thousand, one million five hundred, three million souls have been victimized. What can we do for them?
The Dangerous Years represent a time of uncertainty, chaos, and doubt. Rangga Purbaya (1976) took the title of Sukarno's speech during Indonesia's 19th Independence Day Celebration in 1964, Tahun Vivere Pericoloso (TAVIP), to open up statistics, numbers but at the same time speculated with a method that he used in his work in recent years. Rangga uses an ethical approach to a factual historical narrative that is still shrouded in the fog today, the 1965 mass killings.