"Wrong Way" is a striking piece that seamlessly blends architecture and modern art, inviting viewers to explore the juxtaposition of light and form. The illuminated staircase, bathed in a cool turquoise glow, creates an ethereal atmosphere, evoking a sense of futuristic transcendence. The angular design elements, sharp lines, and reflective surfaces contribute to a disorienting yet captivating spatial experience.

Mounted prominently is a car, almost surreal in its positioning, suggesting a narrative of disruption and unexpected journeys. The stark contrast between the illuminated stairs and the dark, textured walls enhances the visual tension and drama within the piece.

The reflections and interplay of light create a mesmerizing labyrinth of perspectives, challenging the viewer's perception of space and direction. The artist's use of light as a medium not only illuminates but also transforms the environment, making the ordinary seem extraordinary.

This installation is a bold statement on movement and stasis, provoking thoughts on the direction and purpose of our own paths. "Wrong Way" ultimately serves as a metaphor for the choices and detours in life, highlighting the beauty in the unplanned and the uncharted.

This work is a testament to the transformative power of design and the endless possibilities when art transcends traditional boundaries, just as interpretations of prophecies from the past do in the present.

Pathways and Pause is the theme for the car form, delves into the concepts of movement versus stillness and the power of bold transformations that redefine our perceptions.

At its heart is a meticulously converted Citroën BX, originally a 4-door sedan, now transformed into a sleek 2-door coupe. This homage to Marcello Gandini, a revered car designer known for his courageous and visionary designs like the type of Lamborghini Miura and Countach, reflects Wawan Dalbo's admiration for Gandini's aesthetic brilliance.

The installation pairs this sporty car, paused mid-motion, with a staircase that leads nowhere. The disconnected railings emphasize the theme of disrupted continuity.

This work encourages viewers to reflect on the 'vehicles' and 'steps' they take in their own journeys, considering the moments of pause amidst life's constant movement.